The movie Elvis Presley called his best
Elvis Presley, the King of Rock and Roll, graced the silver screen in several films over the course of his career. Among these, one often stands out as being called his best by none other than Elvis himself—this is “King Creole.” Directed by Michael Curtiz in 1958, “King Creole” is a film adaptation of the 1952 novel “A Stone for Danny Fisher” by Harold Robbins.
Set in New Orleans, “King Creole” follows the story of a troubled young man, Danny Fisher (played by Presley), who seeks redemption and a better life through his love for music. The character’s raw talent and emotional depth gave Elvis an opportunity to showcase his serious acting chops, a far cry from the light-hearted roles he was often associated with.
The film allowed Presley to combine his musical talents with a deeper narrative that dealt with themes of poverty, crime, and redemption. It is said that Elvis considered “King Creole” his best film because he was able to explore a dramatic role that challenged him and tapped into his own personal struggles with fame and identity.
The supporting cast includes seasoned actors such as Walter Matthau, who played the antagonist Maxie Fields, Carolyn Jones as the complex love interest Ronnie, and Dolores Hart as Nellie. The movie features some notable musical numbers which are woven seamlessly into the fabric of its gritty story, songs like “Trouble,” “Hard Headed Woman,” and the titular “King Creole.”
Critics praised Presley’s performance, often citing it as one of the high points in his acting career. To this day, fans and critics alike consider “King Creole” a standout film in Elvis’s Hollywood years. Its critical success may also be attributed to Michael Curtiz’s expert direction—he previously helmed classics such as “Casablanca” and “White Christmas.”
Despite facing initial hurdles—Presley was drafted into the army shortly before production commenced—the film managed to transcend those challenges and became a testament to Presley’s potential as an actor. For Elvis fans all over the world, “King Creole” holds a special place not just because it was the personal favorite of their idol, but also because it represents what might have been had Elvis pursued more challenging roles.
In conclusion, when examining Elvis Presley’s filmography, it’s clear that “King Creole” shines brightest according to the star himself. It provided an avenue for him to express a more complex side of himself both musically and dramatically. It remains an essential piece of vintage cinema that allows viewers a glimpse into what Presley could achieve outside of his established musical persona—a blend of soul-searching artistry set within the vibrant tableau of New Orleans’ French Quarter.