Director Jang Joon-hwan, known for critically acclaimed films like “1987” and “Hwayi: A Monster Boy,” has expressed concerns about the state of Korean cinema, claiming it is in a “precarious period” due to the rise of streaming giant Netflix.

In a recent interview, Jang highlighted the impact of Netflix’s global reach on Korean cinema, stating that while it has opened doors for wider audiences, it has also led to a shift in the industry’s focus. He believes that filmmakers are now more inclined to create content tailored specifically for streaming platforms, potentially neglecting the traditional theatrical experience.

“It’s a double-edged sword,” Jang explained. “Netflix has given Korean filmmakers immense opportunities to reach a global audience, but it has also created a sense of competition among them to create content that aligns with Netflix’s algorithms and caters to their specific demands.”

Jang expressed concern that the focus on streaming may lead to a decline in the quality and diversity of theatrical releases. He emphasized the importance of supporting independent films and encouraging filmmakers to explore unconventional narratives.

“Theatrical releases are essential for fostering a vibrant film culture and nurturing the artistic integrity of our cinema,” he asserted. “We need to ensure that Korean cinema continues to experiment and innovate, even if it means taking risks that might not be commercially viable.”

While acknowledging the positive aspects of Netflix’s presence, Jang believes that it is crucial for the industry to strike a balance between embracing the digital landscape and preserving the unique identity of Korean cinema. Only then can Korean cinema navigate the “precarious period” and continue to thrive in the years to come.