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Art Education
Home›Art Education›“Don’t keep the Wicker Man waiting!” The 25 Best Folk Horror Movies of All Time, Ranked

“Don’t keep the Wicker Man waiting!” The 25 Best Folk Horror Movies of All Time, Ranked

By Matthew Lynch
March 4, 2024
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The resurgence of folk horror in cinema has reignited passions for the eerie, the pastoral, and the ancient. As a sub-genre that taps into the primal fears of rural landscapes and forgotten customs, folk horror offers a unique blend of psychological terror and atmospheric tension. Here we delve into the best of folk horror, with a curated list of 25 films that have left indelible marks on both the genre and its fans.

At number 25 is “Wake Wood” (2009), a chilling tale that follows bereaved parents as they encounter pagan rituals in a small village. Meanwhile, “Jug Face” (2013), at number 24, captures the claustrophobia of an isolated community bound by a bloodthirsty entity.

Breaking into the top 20 is “November” (2017), an Estonian film steeped in folklore and black-and-white visuals. Its unsettling narrative has earned its place among cult favorites. At number 15, “The Ritual” (2017) takes viewers on a harrowing trek through a Scandinavian forest that is both mesmerizing and terrifying.

Cracking the top ten is “Blood on Satan’s Claw” (1971), blending period-piece authenticity with palpable dread. The film’s influence can be felt across later entries in the genre. The fifth spot is held by “The Wicker Man” (1973), the quintessential folk horror text that combines music, ritual, and the horrifying sacrificial finale that continues to haunt audiences today.

Claiming the number one spot is “Midsommar” (2019). Director Ari Aster’s daylight-drenched nightmare catapults viewers into a Swedish midsummer festival gone horrifically awry. From its vibrant aesthetics to its devastating emotional underpinnings, “Midsommar” exemplifies the potent potential of contemporary folk horror to unnerve and fascinate.

Each entry on this list represents a facet of humanity’s connection to tradition, nature, and fear itself, marking out folk horror as a sub-genre that resonates with our collective unease about what lurks just beyond our modern understanding.

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