Why One of the Best Spaghetti Westerns Ever Was Never Released in the States
Spaghetti Westerns, a subgenre of Western films produced and directed by Italians, often bring to mind classics like “The Good, The Bad and The Ugly” or “Once Upon a Time in the West.” However, one of the best Spaghetti Westerns ever made, according to aficionados and critics alike, was never officially released in the United States. This film is “Il Grande Duello,” also known as “The Grand Duel” or “The Big Showdown.”
Directed by Giancarlo Santi, a former assistant to the renowned Sergio Leone, “Il Grande Duello” stars the iconic Lee Van Cleef as Sheriff Clayton, a man who epitomizes the solitary, enigmatic hero commonly seen in such films. Known for its stylish direction and compelling score — composed by Luis Enríquez Bacalov, who later won an Oscar for his work on Quentin Tarantino’s “Django Unchained” — the film promised all the hallmarks of a classic Spaghetti Western.
But why was it never released in the States? There are several reasons that likely contributed to its absence from the US market:
1. Distribution Rights Issues: During that era, distribution rights for films were often sold territory by territory. It’s possible that no American distributor took a chance on “Il Grande Duello,” speculating that it might not resonate with American audiences as it did with European viewers.
2. Market Saturation: By the time “Il Grande Duello” was ready for export in 1972, the American appetite for Spaghetti Westerns had begun to decline. Cinema tastes were shifting, and US distributors might have been wary of investing in a genre perceived as waning.
3. Censorship and Content Concerns: Although ‘spaghetti’ Westerns weren’t known for being particularly graphic by modern standards, they did often push boundaries for violence at the time. The stringent MPAA ratings system introduced in late 1968 may have posed problems for some elements within “Il Grande Duello.”
4. Economic Factors: The early 1970s saw economic turmoil in both Europe and America which could influence entertainment importation priorities. The oil crisis and ongoing inflation may have led distributors to stick with surefire hits rather than taking risks on foreign films.
Despite not gracing American screens officially during its prime time, “Il Grande Duelo” has since attained cult status among Western enthusiasts. Copies of the film eventually made their way into the country through back channels like bootleg VHS tapes and later DVDs. In modern times, digital streaming platforms have allowed broader access to classic films like this one, finally giving it recognition from audiences around the world.
While it’s unfortunate that contemporary US audiences missed out on “Il Grande Duelo” during its heyday, it stands as a testament to how international cinema can transcend borders and generations – even if its journey is delayed. Today’s fans can enjoy Santi’s masterful direction and Van Cleef’s gripping performance, affirming that true cinematic treasures cannot be held back indefinitely by mere circumstances of their release—or lack thereof.