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Home›Technology›From Disney’s ‘Andor’ to Netflix’s ‘Cobra Kai’ and Max Original ‘Pubertat,’ Catalonia’s Rise As a Preferential Destination for a Wide Range of Top TV Series

From Disney’s ‘Andor’ to Netflix’s ‘Cobra Kai’ and Max Original ‘Pubertat,’ Catalonia’s Rise As a Preferential Destination for a Wide Range of Top TV Series

By Matthew Lynch
October 22, 2024
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Catalonia, the vibrant region in northeastern Spain, is experiencing a surge in popularity as a filming location for top-tier television productions. From the sprawling landscapes of Disney’s “Andor” to the gritty urban settings of Netflix’s “Cobra Kai,” and even the coming-of-age humor of Max Original’s “Pubertat,” Catalonia is attracting a diverse range of series across genres.

This rising popularity is fueled by several factors. Catalonia boasts a wealth of stunning locations, from the rugged Pyrenees mountains to the sun-drenched Mediterranean coastline. The region’s diverse architecture, including medieval castles, bustling city streets, and modern buildings, provides a versatile backdrop for any story.

Additionally, Catalonia boasts a well-established film industry with a skilled and experienced workforce. This infrastructure, coupled with government incentives for film production, makes the region both efficient and cost-effective for international productions.

“Andor,” the “Star Wars” prequel series, utilized Catalonia’s diverse landscapes to create the fictional planet of Ferrix. “Cobra Kai,” the popular karate-themed series, found its urban setting in Barcelona, a vibrant city with a rich history and distinctive visual style. “Pubertat,” a coming-of-age comedy, captured the charm and energy of Catalan life, showcasing its quirky and relatable characters.

The region’s ability to attract such a diverse range of projects highlights its growing reputation as a global hub for high-quality television production. With its stunning locations, skilled workforce, and supportive infrastructure, Catalonia is poised to become a mainstay in the international film and television landscape for years to come.  

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Since technology is not going anywhere and does more good than harm, adapting is the best course of action. That is where The Tech Edvocate comes in. We plan to cover the PreK-12 and Higher Education EdTech sectors and provide our readers with the latest news and opinion on the subject. From time to time, I will invite other voices to weigh in on important issues in EdTech. We hope to provide a well-rounded, multi-faceted look at the past, present, the future of EdTech in the US and internationally.

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