The Jesus and Mary Chain are known for their influential role in alternative rock and shoegaze genres, characterized by their use of feedback-laden guitars and melancholic melodies. Here is a ranking of their studio albums from worst to best:

1. “Psychocandy” (1985) – The debut album remains an untouchable landmark in indie music. Its perfect blend of sweet melodies drowned in feedback has inspired countless bands and continues to be a quintessential noise pop record.

2. “The Sound of Speed” (B-Sides and More) (1993) – Similarly a compilation that collects B-sides and rarities, it stands out for its gems that could easily have made it onto any official release due to their quality and demonstration of the band’s breadth in songwriting.

3. “Barbed Wire Kisses” (B-Sides and More) (1988) – Although not a studio album in the traditional sense, this compilation features numerous tracks that are as essential as anything on their studio records, filled with raw energy and innovation.

4. “Honey’s Dead” (1992) – With hits like “Reverence,” this album reaffirms the band’s ability to merge noise with infectious hooks, proving they could evolve without losing their essence.

5. “Automatic” (1989) – Incorporating drum machines and synthesizers, “Automatic” pushed The Jesus and Mary Chain in a new direction that divided critics but nonetheless produced several standout tracks.

6. “Darklands” (1987) – Stripping back the feedback in favor of cleaner production and stronger melodies, “Darklands” is equally haunting but a departure from the raw aesthetic that defined their debut.

7. “Stoned & Dethroned” (1994) – This album took a more acoustic turn, stepping back from the usual cacophony of feedback. While it showcases versatility, some fans longed for the return of the band’s trademark noise.

8. “Damage and Joy” (2017) – Returning after a 19-year hiatus, this record is a solid addition that recaptures some of their noise-pop charm. However, it doesn’t quite reach the heights of their groundbreaking early work.

9. “Munki” (1998) – Often cited as the least cohesive of their discography, “Munki” flirts with various styles, losing some of the band’s iconic raw edge. It’s not without its merits but fails to align with the high expectations set by earlier releases.

The Jesus and Mary Chain have carved out a niche that is entirely their own within alternative music. While some albums shine brighter than others, each record offers a different side of this multifaceted band.